Set during the second world war Soyinka's play "Death And The King's Horsemen" is a must read and watch.
The story, based on an incident that took place in Oyo in 1946 sees the king's horseman, Elesin, preparing to follow the ancient custom of committing ritual suicide after his master's death.
Suspense, drama, energetic performances, fantastic lightning and props, Arambe productions with the aid of Terrakulture brings Wole Soyinka's highly talked about play to life.
The
audience watches as the stage moves from the world of a raffia-filled
-market to the colonist homes, the prison which eventually leads to the
play's elemental conclusion.
Against the wishes of Elesin's eldest son returned from studying medicine in London, British district officer, Pilkings, places the horseman under arrest with disastrous consequences.
In one sense, the play is a timely warning against the perils of "humanitarian intervention". Olunde, the horseman's son, tells Pilkings's wife, "You have no respect for what you do not understand."
Using the alienation effect Bisi Adigun
makes it easier by presenting the play with an all-black cast that
"whites" up to play the colonialists. This yields moments of comedy
seeing the Elesin's daughters mimicking the British habit of leg
crossing and the Pilkings posing as upper-class imperialists is
hilarious. There are sterling performances from the horseman, his son
and the market leader.
At
the end, one emerges fascinated and overwhelmed but also disturbed by
Soyinka's ideas, the notion that death can be seen as a triumphant
entrance rather than a tragic exit.
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